The two flicks are about upper-caste, upper-class, urban, privileged women, distant from the reality of a large part of India. But they do hold important feminist lessons.
We need to change to newer, more gender-neutral words that justify us being a modern society, and free our most joyous intimate relationships of the burden of patriarchy.
They are either objects of social glare or things of mirth, constantly forced to give way to the bigger and more beautiful. Will Shah Rukh Khan's 'Zero' be any different?
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