The story lies in its people. In how they help a big-city fish survive in their dry village.
Air India has been flying all over the world to bring back stranded Indians, leaving their families for the call of duty. Yet when they go back home, they are met with the stigma of 'quarantine'.
Imtiaz Ali's Love Aaj Kal makes Jab Harry Met Sejal look like Da Vinci's Mona Lisa.
In Parasite, director Bong Joon Ho makes the South Korean society see itself in a mirror, under a harsh white light.
Padukone committed the cardinal sin of stepping into an 'anti-national' university.
Can a horror story be political? Ask filmmaker Dibakar Banerjee.