Mona Ramavat

Savitri could shed precisely two tears from one eye in one take without glycerin.

The contrast to reality in Bharat Ane Nenu is too stark, yet you come away feeling somewhat brushed by that magical optimism.

The Ram Charan and Samantha Akkineni starrer has certainly touched a few chords.

The Bollywood veteran is also seen holding secret daru sessions and going to Amsterdam for bachelor’s party.

Nothing is as it seems in the film, although all secrets are hidden in plain view.

Locals will ensure she goes back with happy memories of the city's tehzeeb and mehmaan nawazi.

The growth curves are indeed drool-worthy.

In Nene Raju Nene Manthri, he starts off as a simple moneylender who stutters when nervous.

Fans are waiting with bated breath to watch Baahubali 2: The Conclusion.

The artist talks to Mona Ramavat about the journey of translating the grandiose world of Mahishmati onto the screen.

Superstar Rajinikanth's film is worth all the fuss and more.

At the launch of his books, 'Baaghbaan' and 'Nindiya Chor', veteran poet-lyricist explains why Gurudev is relevant even today.

SRH seemed like it had nothing to lose and played the final like every over was special in itself.

We are honey-trapped into watching till the end how Prince goes about winning hearts.

Susheel Kumar says the organisation is blamed for everything that goes wrong, without any proof whatsoever.

Not everyone is in favour of the ideas of dissent, though.

Director SS Rajamouli and his team are known to make the impossible possible.

Vice-chancellor says politicians should have looked deeply into the case rather than assuming that everyone is acting arbitrarily.

Radhika hides her sadness behind mostly unflinching composure and her customary grey shawl.

The students are firm about not budging till all their demands are met.

They have already forgotten his last words, it seems.

A fake appeal seeking donation for the deceased student's family is doing the rounds on social media.

It is the shared angst of students reflected in these protests.

From Rahul Gandhi to Asaduddin Owaisi, everyone urgently mourned the death of the son of the campus.

The film at its cores shatters gender stereotypes.

Looks like, when I'm too old and weak, I may have to be razed down like any other concrete structure in the city, that turns into a liability.

We know he's safe when she's around.

Even the best special effects can't mask these glaring stereotypes.

For every naysayer, there seem to be at least ten others who show us how it's not just a movie, but a phenomenon.

You'll know now why they’re saying this epic film is Indian cinema’s answer to Gladiator.