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Rover in the driftless area of the outcastes. Writing is a way of deleting.
Wherein lies continue: An antidote to emptiness via canvases full of memories
Sunil Padwal exhibited his solo work last month prior to the Art Fair. For him, objects, from an old radio to clothes hangers, evoke fleeting memories, emotions and worlds we once inhabited.
Amol Palekar Interrupted: Why this should be a moment for the art world to introspect, rather than play blame games
Everyone's busy blaming the curator of the NGMa for having interrupted Amol Palekar mid-speech. But here's why the curator did it. And also, here's what the art community should in fact be doing.
An old woman who sings of hope, and lives like a free bird
An encounter with an abandoned old woman who has found peace in herself and in a building full of outcastes.
A requiem for a dream: A former auto driver embroiders what he saw of life from his rearview mirror
Bapi Das is exhibiting his work at the ongoing Kochi-Muziris Biennale.
Indian Art Fair: To the moon and back
From a cabinet of intimate memories to two moons and a lot of clouds in a photo booth, the works that deserve a look at the India Art Fair.
Kashmir: A paradise lost to violence and bloodshed
Kashmir has faced unspeakable crimes, and it would be a sin to forget them. The Srinagar Biennale pavilion in the Kochi Festival does the opposite. It remembers, laments and somehow, celebrates.
An ode to anonymity: Princess Pea and battles against notions of perfect beauty
The art of female alter egos, and the fascination with existential identity, is not new. But as women increasingly assert themselves, it is now sensing a revolution in the winds.
Enter the Anthropocene: ‘Climate change is political, so should be art around it’
Artist Vibha Galhotra talks about her gender and her art before her upcoming show at the Chandigarh Lalit Kala Akademi in January.
