Madhureeta Anand

‘We were really hurt when Modi said we were goondas, we are working with the administration’.

I carried home the two encounters with the predators and the victims.

It's heartening to see so many men coming forward to support the campaign.

Dynasties are of two kinds, one based on the gene pool and the other on fostered affiliations.

Cinema in India has taken a huge leap, but there is one thing that remains the same – how women are treated on screen.

We know that people are so much more than their bodies.

The idea is not to reinvent power equations, but to think of power in a new way altogether.

Fine filmmaking combined with a strong social message creates winners.

By being as anti-freedom as British Raj, they have forced the Indian to speak up and be counted.

First-time directors, stung by criticism, end up at the beginner's block.

Lamps flicker and form soft shadows. The walls have pictures of Gods of all faiths.

Abuse is part of the parlance of the troll Nazis, because none of them is really up for a debate.

The toss-up between being goddesses and sluts is a frequent female dilemma that they personify. And yet, on a closer look, neither of them is either of those things.

Men have been led to believe they 'need' sex which makes them place it up there with life necessities, thereby adding the element of entitlement to have sex.

Film-making is about living life and more than ever before audiences are looking for honesty in films.

Women centric films that Bollywood dishes out shows that cinema is essentially a male medium where objectifying women is the norm.