Kaveree Bamzai

Katrina is a product of masculine imagination, but she can transcend that in her spirit and spunk, which won't get unnoticed in Thugs of Hindostan, as there's hardly anything else to notice.

The movie is about love which is complicated, short on patience, and most unexpected.

The star writer in conversation with Kaveree Bamzai on her new book 'Pyjamas are Forgiving', the bonds between women, shaadi, male privilege and how writers view their world.

Let’s discuss his work and examine him for what he wrote. In that, we will find truths about India only his brutal honesty could illuminate.

Author Manu S Pillai in his 'Rebel Sultans' decodes the black and white narrative that emerges from an intense inferiority complex.

The problem with the movie is that it is tough to see it apart from the life of the person it is based on.

Amitabha Bagchi's new book Half the Night is Gone chronicles the rise of Delhi and its many cultures.

The acclaimed actor has been diagnosed with neuroendocrine cancer.

The Netflix original is a collection of four shorts about love and desire in contemporary India.

Bad haircuts, fake news, Dennis Rodman and hamburgers — they have plenty to catch up on!

The role of Indian royals in building the biggest luxury brands in the world has not been publicised enough.

In his collection of essays, Memory in the Age of Amnesia, Mirza has described fascism as a state of mind.

In the age of #MeToo, the problem is not that Veere Di Wedding is unabashed about female sexuality. It is that it doesn’t go far enough.

Zarreen Khan's Koi Good News? and Sanjeev Sanyal's Life Over Two Beers capture a diverse capital.

The face has emerged as a symbol of a more assertive, aggressive Hindutva.

The movie is opposed to the binaries of good Indians, bad Pakistanis.

Will #SonamkiShaadi make #VeerediWedding look like an anti-climax?

Translator AND Haksar on Sanskrit poetry, why Kalidasa is more than the Shakespeare of India, and more.

Mythoscience thrives in the climate created after BJP came to power at the Centre.

Despite being a former IAS officer, KJ Alphons seems woefully short on facts.

Sudhir Mishra's Daas Dev inverts this Hamletian tale and gives the two women, usually long-suffering victims of Devdas' alcoholism, some agency.

For Modi to be elevated, Nehru has to be obliterated.

Nirmalya Kumar, fired over Tata Sons controversy, speaks to Kaveree Bamzai about the five attributes of modern managers.

The filmmaker on the writer's continuing relevance, and the importance of the Cannes Film Festival.

Shoojit Sircar and Juhi Chaturvedi encapsulate the best of Indian motherhood.

We should not be surprised then that we can rape and murder little girls. We are, after all, a country whose birth itself was soaked in blood.

#MeToo and #TimesUp was right around the corner. But now the rage is everywhere – in cinema, television and entertainment.

Bhai is a classic case of a private neurosis fuelling a public nuisance.

Senior fellow at the Centre for Policy Research, Kiran Bhatty, on what ails India's education policy and what it will take to fix it.

The board exam mess is a symptom, not the disease.